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JANUARY 2012This month is officially The Month of the Class. I'm treating myself to the tough love of Paul Davis, David Cady, and James Callari. A hefty dose of constructive criticism to start the year off! I'm also coaching a great kid to compete in the English Speaking Union's Shakespeare Competition. He is 15 and performing Angelo's slimy speech to Isabella. He has such an inspiring work ethic and is finding wonderful layers to explore. I'll post updates as the competition approaches. DECEMBER 2011Just spent 2 glorious weeks at New Dramatists for their PlayTime developmental lab. I was working on a new play by Chiori Miyagawa inspired by the tsunami in Japan, Tom Waits, and "Bobby Jean." It is an astounding work. I am so grateful to Alice Reagan, who directed, and the wonderful actors and New Dramatists folk for the experience. NOVEMBER 2011I am directing an awesome group of 8th graders in As You Like It. Every time I work on this play I discover something new. Orlando and Adam's love kills me. I'm taking an onscreen class with James Calleri. Oh, I am learning so, so much. I can't wait to put it into practice. OCTOBER 2011
Tickets and info: http://here.org/shows/detail/760/ I've also been workshopping Uncle Vanya with Target Margin. David Herskovits and his gang are feeling out a whole slew of translations. I always feel so lucky to be in a room with these energetic, creative, wildly fun people. SEPTEMBER 2011Next week I start rehearsals for Prison Light, by Austin Flint. It opens in October at HERE. I play the menacing boss. It's directed by Alice Reagan, with whom I've wanted to work for years. More info soon! SUMMER 2011I'm off to the Berkshires for the Drama League retreat! Acting and eating and hiking and Shaw. I'm playing Ann in Man and Superman and working with the freshest crop of Drama League directors. I just spent two weeks exploring Yiddish theater with David Herskovits and the Target Margin gang. A Mekhaye! I am thrilled to continue work on Kobi Libii's improv project. He's got fascinating ideas about turning improv work on its head. He has gathered a fantastic group to experiment with and this time we are filming our work. APRIL-MAY 2011
It runs May 4th - 27th at HERE in Soho. MARCH 2011I just spent a week working with the fabulously talented Kobi Libii. He is working on a new way of approaching improvisational work and gathered a group of actors/guinea pigs to test out some ideas. The room was relaxed and fun and I had a blast! The other night I did a shoot for the film Know How, produced by The Possibility Project about kids in foster care. I was mugged over and over again until 4:00am. I got a few bumps and bruises and only three hours of sleep, but had a great time with a very worthy project. FEBRUARY 2011It's official! I am playing Stephano, the drunken butler, in Target Margin's production of The Tempest this May. We are going to workshop it for 2 weeks this month at the Chocolate Factory. Also, Judy Bowman's on-camera class has been a revelation. I'm learning fresh approaches and thinking in a new way about performance. I feel recharged! JANUARY 2011The new year is already busy and fruitful! During this brief hiatus from The Tempest, I'm taking an on-camera class with the fantastic Judy Bowman. I've also been called in and called back for a number of commercials lately, so I'm eager to pursue those opportunities more aggressively in 2011. It was so lovely to eat pizza, drink fresh sparkling water, and read aloud Sheri Graubert's new comedy about small town environmental politics. I can't wait to see the next draft! NOVEMBER 2010In preparation for a Spring production of The Tempest, Target Margin has gathered 6 actors to work on various scenes. This month, I'm playing the Boatswain, Iris, and Trinculo — a more varied group would not be possible! As part of the workshop, we spent a morning at the Metropolitan Museum finding inspiration in classical sculpture and romantic paintings. The show is going to be remarkable. My November is sponsored by Shakespeare; I'm also co-directing a production of Romeo and Juliet with 13-year olds. The kids are smart and understand the text very well. Their challenge is to express it emotionally and physically. I rush from rehearsing The Tempest to a room full of 30 kids, who are so new to the rhythms and picture of a play that no entrance or gesture is taken for granted. I'm trying to approach my own performance work with such freshness and daring. OCTOBER 2010I'm spending an incredible and inspiring week doing table work on The Tempest. Around the table: Kristin Linklater, Michael Kahn, David Herskovits, Michael Sexton, and scholars Ruth Carpenter and Rich McCoy. The week culminates in a panel discussion sponsored by The Shakespeare Society at 7:00 on Monday, October 25th at The Mint Theater. I'll be reading Antonio! SUMMER 2010
MAY 2010I'm having a marvelous time tinkering on The Tempest with David Herskovitz in a two week workshop at the BRIC. APRIL 2010It's been so lovely to work with old friends on an all-girl choral piece of "Visions of the Blessed Bruder Klaus" by Sibyl Kempson, directed by Ken Rus Schmoll. The performance is on Sunday, April 25th at Glasslands. It benefits Andrew Dinwiddie's show Get Mad at Sin! Come by if you can! I'm playing a mad scientist in a two week workshop of Do Clones Dream of Identical Sheep? by Jon Kern, directed by Heidi Handelsman, sponsored by New Georges. The reading is April 12th at The Room at 7:30. MARCH 2010
JANUARY 2010I am stranded on an ice floe on a work-in-progress showing of Staying Afloat by Lenora Champagne at Dixon Place. There are two showings: January 22nd and 23rd. It would be lovely to see you there! |

| Prison Light | Pembroke | HERE | Alice Reagan |
| The Tempest | Stephano | Target Margin | David Herskovits |
| The Country Wife | Lady Fidget | ATA Theatre | Bradford Cover |
| Thank You, Kind Spirit | Woman in Rear | Target Margin | Alisa Matlovsky |
| Gentleman Caller | Daisy | Clubbed Thumb | Brooke O’Harra |
| No More Pretending | Care Bear | Inverse Theater | Howard Thoreson |
| What Then | Diane 2006 OBIE award for performance | Clubbed Thumb | Hal Brooks |
| Of A White Christmas | Diane | Ohio Theatre | Trip Cullman |
| Animal Farm | Clover | Synapse Theatre | David Travis |
| The Typographer's Dream | Margaret | HERE | Drew Barr |
| Meat | Evelyn | ATA Theatre | Ken Rus Schmoll |
| U.S. Drag | Allison | HERE | Pam MacKinnon |
| Downwinders | Dolores Walker | Soho Rep | Maria Striar |
| Dirty Little Secrets | Lisa Marie Presley | HERE | Page Burkeholder |
| 7 Blowjobs | Dot | Mac Wellman Festival | Tim Farrell |
| As You Like It | Celia | The Guthrie Theater | Garland Wright |
| A Christmas Carol | Safronella | The Guthrie Theater | Sari Ketter |
| Luck, Pluck, and Virtue | Harriet Goldfarb | La Jolla Playhouse | James Lapine |
| A Mouthful of Birds | Yvonne | La Jolla Playhouse | Les Waters |
| King Lear | Cordelia | Utah Shakespearean Fest. | Kathleen F. Conlin |
| Cyrano de Bergerac | Roxane | Utah Shakespearean Fest. | J. Neville-Andrews |
| Julius Caesar | Priest | Utah Shakespearean Fest. | Howard Jensen |
| I Want To Bleed | Diana | New York Verite | Tim Farrell |
| Marianne | Marianne | Catman and Mary Prod. | Gregor Clark |
Meg is an OBIE award winning, classically trained actress with many years experience performing in new plays in New York City. She grew up in Manhattan, went to college at Brown University, and earned an MFA in Acting at UC San Diego. Right after school, she worked regionally at La Jolla Playhouse, Utah Shakespearean Festival, and the Guthrie, where she was privileged to be directed by Garland Wright, James Lapine, and Les Waters. In New York, Meg has originated roles in plays by Adam Bock, Ann Marie Healy, Ethan Lipton, and Gina Gionfriddo, and worked with notable directors Ken Rus Schmoll, Brooke O'Harra, Pam MacKinnon, Trip Cullman, Drew Barr, and Tim Farrell.
In 2006, Meg won an OBIE for her performance in Rinne Groff's What Then, directed by Hal Brooks. In presenting the award, Oscar Eustis, artistic director of The Public Theater, said she "awaken[ed] the judges to her graceful, luminous performance."

Meg co-founded the critically acclaimed theater company Clubbed Thumb, and served as co-artistic director for 13 years. In 2009, Meg moved on from Clubbed Thumb in order to act full time. Most recently, she played Stephano, the drunken butler in Target Margin's remarkable production of The Tempest; and Pembroke, the boss from Hell, in Prison Light at HERE.
She lives in New York with her husband, two children, and beagle.
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"Her face shining ... MacCary positively glows as Diane." [full article] |
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"For awakening the judges to her graceful, luminous performance in What Then, we award an OBIE to Meg MacCARY." [full article] |
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"The performances are very strong... Meg MacCary and J.H. Smith III have a marvelous time with the goofiness of Stephano and Trinculo." [full article] |
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New York Times, What Then [full article] |
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"MacCary captures the neurotically brittle personality of Diane ... [Marek's] interactions with MacCary's Diane are the production's strongest, mainly due to the two actors' simmering chemistry." [full article] |
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"Meg MacCary shines as Amalia, the prettiest torso in many a county." [full article] |
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"Meg MacCary displays perfect timing and an appropriately edgy sensibility." [full article] |
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"Benditt and MacCary acquit themselves beautifully." [full article] |
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"There are fine performances throughout... deserving mention [is] Meg MacCary." [full article] |
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The New York Times, The Typographer's Dream [full article] |
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"Understandably exulted about nabbing an award ... What Then's Meg MacCary held up the plaque and announced, "This is a huge perk!" [full article] - Michael Musto, The Village Voice [full article] |
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"Meg MacCary reveals the frustrated creativity roiling inside Margaret's daily fussing with the alphabet." [full article] |
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"Talented cast of four in a superior example of ensemble work." [full article] |
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"Meg MacCary ... makes a great impact. With the demeanor of an inhibited dreamer, a closet passionata wrapped in an uptight eccentric, MacCary conveys to us the total magic of her chosen field." [full article] |
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"Meg MacCary's Margaret is the most touching ... she is especially poignant." [full article] |
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American Theatre, "Six Degrees of Clubbed Thumb" (feature) [full article] |
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The Village Voice, "Writer's Equity" (feature) [full article] |
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Time Out New York, "Hand to mouth" (feature) [full article] |